Taylor 812ce 12-Fret Cutaway Acoustic Guitar with Pickup
The 12-fret version of the 812 yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. Players can expect plenty of the Grand Concert’s signature articulation with a slightly meatier, more robust tonal output. If you like a slightly darker, punchier quality in a small guitar, the 12-Fret is a great choice.
Clarity and balance reign in this small, comfortable body shape
-
The smaller body and tapered waist make it the ultimate studio and stage guitar
-
Features a short scale and lighter string tension making it easier to play
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
Original: $4,220.54
-65%$4,220.54
$1,477.19More Images
Taylor 812ce 12-Fret Cutaway Acoustic Guitar with Pickup
The 12-fret version of the 812 yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. Players can expect plenty of the Grand Concert’s signature articulation with a slightly meatier, more robust tonal output. If you like a slightly darker, punchier quality in a small guitar, the 12-Fret is a great choice.
Clarity and balance reign in this small, comfortable body shape
-
The smaller body and tapered waist make it the ultimate studio and stage guitar
-
Features a short scale and lighter string tension making it easier to play
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
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Description
The 12-fret version of the 812 yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. Players can expect plenty of the Grand Concert’s signature articulation with a slightly meatier, more robust tonal output. If you like a slightly darker, punchier quality in a small guitar, the 12-Fret is a great choice.
Clarity and balance reign in this small, comfortable body shape
-
The smaller body and tapered waist make it the ultimate studio and stage guitar
-
Features a short scale and lighter string tension making it easier to play
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
